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@Merc@freerobuxextremist.com

2026-07-01 15:51 UTC

Punctuation 1.3.0 1.3.0 20260630T192400 Prev: 1.2.1 These are my conventions. As with the rules document, this is descriptive, not prescriptive. Of particular note are the specific ways I use common marks, like when I use double vs. single quotes, or en dashes vs, em dashes, and what the purpose of uncommon or otherwise unused marks are. This may include marks I have not yet used, or marks which have been used, but not yet in one of the ways I've described. This may not include marks that are used in formats other than prose. For example, +, -, x or \* or ×, / or ÷, mean addition, subtraction, multiplication and division, which may be used in my writing, but are used in more specialized locations. Also includes phonetic alphabet characters, function notation, etc. --- Double quotation marks: " - Describes literal speech - May be converted to 'smart quotes', “, ”, which are equivalent, but attempt to curl inwards to the speech. Single quotation marks, apostrophe: ' - As a single quote, paraphrases, quotes speech inside double quotes, or draws attention to the word surrounded, rather than only its literal meaning - When needing to quote inside single quotes, you'd generally begin alternating single and double quotes. "He said 'she said "they said you're stupid"'". - As an apostrophe, creates a contraction, where inner characters may be elided. do not -> don't - May also be converted to 'smart quotes', ‘, ’ Space: " " - Showing where one word ends and another begins. - Starts a sentence after a previous one ends. Period, decimal point: . - As a period, indicates an end of sentence. Marks a pause in the cadence. - May be used inside quotation marks to indicate the end of a sentence, but the main sentence may continue outside. This is pretty rare, generally used when a comma isn't a large enough pause. "I'm going to buy a boat." said John. - Will generally be used inside the double quotation marks if it ends the sentence. John spoke: "Whelp." - Used for shortening words like Mister -> Mr., et cetera -> etc., or for acronyms, Limited Liability Company -> L.L.C. Acronyms sometimes don't use them, like LLC, or laser. - As a decimal point, indicates flipping from nonnegative powers of ten to negative. Question mark: ? - Indicates that a sentence has the cadence of a question. The user either wants more information, or is ironically asking for information they already have. - Some questions don't end in a question mark, when the speaker doesn't say it as a question. "I suppose you want me to die." could be a question, but it isn't spoken as such. - Can end a quotation, and the sentence continues on. Exclamation mark: ! - Indicates extra effort put into an end of a sentence, e.g. shock, anger. - Sometimes used alongside a question mark for both extra effort and a question. - Rarely combined with a question mark into an 'interrobang', ‽. - Rarely repeated multiple times for greater emphasis. - Rarely used to indicate a different version of a character, differentiated by a trait. Stupid!Samantha. Comma: , - Brief pause in the cadence - Usually ends speech quotations if it doesn't end with a question mark, an exclamation mark, or a period, assuming it doesn't interfere with the cadence. - Usually used to briefly pause cadence, to make the sentence easier to digest. - Conjunction or disjunction. Creates lists. - Can be used to separate digits in large numbers. Ellipsis: ... - Fading out or fading in. - Elided text, often in quotations. - May indicate a pattern continues. "1, 2, ..." Hyphen, minus sign: - - Joining (some) compound words. Half-scratch, thirty-something. - Many compound words just have a space or are combined into one. - May be used for elements of a list, such as in this document. Has a greater break between elements than a comma, approximately equivalent to a sentence break. - As a minus sign, indicates that a number is negative. - May be used to split a word across lines, indicating that though the line ends, the word continues. Occasionally used at the start of a line, too. - Sometimes used to indicate that a string is an affix. "non-", "-less". - Occasionally used to emphasize multiple parts of a word, or have a word be read as a string of letters. "Sa-man-tha" emphasizes that someone is pronouncing first "Sa", then "man", then "tha". "He saw 'T-O-P-O-L-O-G-Y'" indicates each letter is being read. En dash: – - Used in a range. "3 – 10", "Monday – Friday". - Used to indicate an explanatory remark. "The Channel spell – Send magic outside your body." Em dash: — - As a pair, indicates a parenthetical in text, without as strong a jump in subject as literal parentheses (here used with a space on either end). May only exist as an opener if the sentence ends with the parenthetical. - Attributes author to a letter or quote here, used with a space between the author and the dash). - Indicates a sudden cut off (or fade in) of dialogue or thought. Parentheses: (, ) - Indicates a parenthetical, a comment which may relate, but isn't directly relevant to the main focus of the sentence. - May be used to group like objects together, tighter than any other grouping. Square brackets: [, ] - Indicates words and parts of words which may have been altered or elided. Asterism: ⁂ - Used as a dinkus. Divides sections. Here, divides subsections in chapters. Slash: / - Indicates alternation - As a pair, indicates phonetic transcription. Horizontal bar: --- - Divides a header or title from a section proper. - Groups paragraphs within a subsection. - Renders as a full line in markdown and html () Colon: : - Indicates the start of a list - What is claimed before the colon is demonstrated by what follows it. Semicolon: ; - Combines two independent clauses which are similar, with less pause than a period, but more than a comma. Asterisk: * - Footnote. See bottom of page for more info. - Occasionally used for emphasis. In markdown, a word surrounded by one asterisk on either side is italicized, two is bolded. Dagger, double dagger, triple dagger, turned dagger: †, ‡, ⹋, ⸸ - Footnote. See bottom of page for more info. Caret: ^ - The following character is intended to be a superscript. R^3. - Xor (Edited 1.2.1) Footnotes: ¹, ², ... - Footnote. See bottom of page for more info. May act as a function call. Associated with a full-sized numeral followed by a colon and a space. - Occasionally used for exponentiation (that is, multiplying something by itself that many times). Bare word cuts: - Very sudden cutoff. "He grabbed the wrong d" Fermata: 𝄐, 𝄑 - Musical notation. A long hold. Often held for a length at the discretion of the conductor. Arrow: -> - Indicates a mapping, or an input to an output. (1.0.1) Non-breaking space:   - Forces a space in html. Html by default collapses whitespace. Newline: " ", \n - Separates paragraphs. (1.3.0) Breath mark: 𝄒 - Narrator swap Double horizontal bar: \--- \--- - ( ) - Format change. Often going from physical writing to narration, or vice versa. una corda: u.c. - One string tre corde: t.c. - Three strings Sustain pedal mark: 𝆮 - Presses down the sustain pedal. - Allows strings to vibrate more freely. Release sustain pedal mark: 𝆯 - Releases the sustain pedal.

Replies (1)

  • @Merc@freerobuxextremist.com 2026-07-02 05:24

    Guidelines 1.0.1 1.0.1 20260527T145000 Prev: 1.0.0 These guidelines are prescriptive, not descriptive. Meaning comes from your words, and you discover what you meant as they appear. This document will be continuously updated as I get bored and think of more things that everyone should always do. 1. The most important thing is freedom. 1. Don't allow yourself to be boxed in by rules. Rules are meant to be broken, and if rules aren't consistent, they may as well not exist. Do whatever you want. 2. The cognitive load of determining if the circumstances you're in warrant applying a breakable rule or not is too high for everyone. Hence, when encountering a rule, ignore it, it's easier. 2. Have contempt for your genre (and audience). 1. You've been forced into this life by circumstance. You entered the industry with wide-eyed dreams of showing off, of discovering new worlds, but alack, your ideas are horrible AND nobody wants anything original. So, take the best of both worlds, and requisition a flooded dike to fill with your horrible ideas. Now everyone hates you for taking the disgusting river they loved and dumping your brand of dead batteries in it, but at least you've staved off killing yourself. It was a mistake getting into the 'media' 'industry' anyways, you should've gotten into politics. Everyone just consumes short-form content. Fuck you. 3. Just Write :) 1. How can you write if you don't write? Just write. Just write. Look you're writing right now. Words words words. LOOK AT ALL THE VALUE YOU'RE ADDING TO THE WORLD WITH YOUR WORDS WORDS WORDS. THERE IS NO BETTER USE OF TIME. 2. :) 4. Make a conlang before starting. 1. How will you have a consistent world without a conlang? Shakespeare invented the word 'upstairs', does Shakespeare exist in your world? 'Algebra' comes from Arabic, does Arabic exist in your world? 'Steve' comes from Greek, does Greek exist in your world? Would they *really* invent golf? Would they *really* have the same phonemes as English? Would they *really* be able to make the same puns we can? Quite convenient that either they translate correctly, or that they speak the same language. 5. Make a big bang before starting 1. Sure is convenient matter won the symmetry war. Sure is convenient the constant for vacuum permittivity is 8.85E-12. Sure is convenient sentient life evolved in this universe where gravity exists, who can breathe oxygen and, well actually no, if you have sentient life it makes sense they'd need to breathe oxygen in some form. There are a few answers to this: 1. You're a hack who doesn't care about cause and effect, and who would rather show off a world based off the assumptions of ours than start from something truly fresh. You moron, you knave, you worm. You're supposedly an artist! Yet you tether yourself to our fleshy world, and its fleshy assumptions, because it's all you've known, and all any of your potential readers have known. Utterly pitiable. You will never escape samsara. 2. Every (or, at least, a lot of) possibility is happening simultaneously, and this happens to be the one you wanted to focus on. I guess someone was so creatively bankrupt that they'd rather follow humans than follow an empty universe. Think of the potential! Who has ever done that? You could be the first! 3. The world is literally based off ours. In which case, you're writing a biography, uh, carry on.

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